After the weekend's jam session, which ended up mutating from bluegrass to gypsy swing to jazz, I ordered a CD from Amazon of Django Reinhardt and Stephane Grapelli, to remind me what I should be aspiring to on this front. It's such amazing music and reminds me of when I first got to know their stuff via an old LP in my childhood home. It's the kind of things that classical musicans (such as I was then) like to play when they branch out because it appeals both on a level of musical intricacy and on the showmanship - look what I can get my fingers round. High energy, that amazing soulful gypsy sound and the evocation of a more decadent yet playful party age. And of course, both Django's Paris jazz and old-time bluegrass and country have roots in the ragtime of the South, Scott Joplin, the delta blues and all that stuff, as our jam mutation showed. Old bluegrass irresistibly melds it with the Celtic dances and fiddle tunes, and of course French/Cajun influences rather than the European gypsy/klezmer-ish sounds of the Hot Club de Paris.
A couple of mini rants
This campaign to stop architects working on prison designs (via Design Observer ) seems rather inconsistent to me. OK, so prison might not work very well and for sure there are too many people locked up. But I would bet a lot of money that the kind of architects that would sign up to this boycott have never been asked to design a prison in their lives, and I am sure there will be no shortage of people willing to sign off drawings for new prisons, given that I can't see clients starting to boycott architects who design prisons. Hell, there are probably architects who only design prisons. Surely we should be actually looking for better prison designs. Will Alsop has, I have seen, being working on precisely that, with prisoners themselves. Isn't this a more intelligent and clever way to turn the prison paradigm around into something positive, using the power of good design to make an environment that allows prisoners to see some hope, experience some creativity and be stimulated ...
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